Hello.
I'm Steve.
Hello.
I'm Steve.
I've also drawn work for Nickelodeon and Cartoon Network. I'm passionate about visual storytelling.
The Storyof how I got here began in
Chicago, Illinois.
1973 - 1991
The Storyof how I got here began in
Chicago, Illinois.
1973 - 1991
I drew through so much paper as a child that my parents got me this chalkboard desk.
I made stop motion animations by moving my Legos and toy cars in front of a VHS camcorder.
I was a "staff artist" for my high school newspaper drawing illustrations and a regular comic strip inspired by my family's dog.
I discovered digital art as a teen. This is the first full drawing I ever made on a computer, drawn in Photoshop 2.1 on a Mac using a mouse.
I studied illustration at the
Savannah College of Art and Design
in Savannah, Georgia.
1991 - 1995
I studied illustration at the
Savannah College of Art and Design
in Savannah, Georgia.
1991 - 1995
Here are select pieces from my illustration courses.
At the time, there weren't many programs nationally to study animation and those interested in the field primarily studied illustration. I learned skills through the more accessible art form of comics, of which there was one class available at SCAD. (Now there's an entire major.)
I wrote and drew a weekly comic strip all four years for a local Savannah newspaper. I joined the student comics club, and attended lectures and critiques by visiting cartoonists. I learned much at art school but studied cartooning independently.
Westward ho!
I moved to Pasadena, California to
follow my dream.
1995 - 2002
Westward ho!
I moved to Pasadena, California to
follow my dream.
1995 - 2002
I got my foot in the door of Nickelodeon as an intern on a new show just beginning production - Hey Arnold. I was hired as a background designer halfway through my internship, and eventually worked my way over to drawing storyboards for the series. Over my 6+ years at Nick, I bounced back and forth between storyboards and backgrounds, occasionally working on other shows as well.
I lived in a charming 1920s bungalow in Pasadena, and became one of California's earliest commuters of a gas/electric hybrid car.
I found in myself an outdoorsman I didn't know existed. I hiked nearly every weekend in LA's mountains, and camped frequently across southern California and the western states. I even learned to snowboard near Los Angeles.
Boulder, Colorado
I played in the mountains and freelanced
illustration.
2002 - 2011
Boulder, Colorado
I played in the mountains and freelanced
illustration.
2002 - 2011
Freelancing gave me the freedom to hike and snowboard during the days, and make art at night. I carved out a niche with a style as a travel poster artist. Here is a sampling of my many Colorado posters inspired by the amazing landscape.
This was my view after moving high into the
Rocky Mountains.2011 - 2014
This was my view after moving high into the
Rocky Mountains.2011 - 2014
I got married, started a family, and we all lived in various mountain towns. My wife and I loved Boulder but if we were going to live in Colorado, we might as well experience some serious mountain living. We lived in places without cellphone reception, on twisting dirt roads, and where temperatures reached in the negative 20s with three feet of snow. We warmed our home with firewood and watched moose roam from our windows. It was glorious.
Mountain house 1 was on a babbling creek deep in a canyon.
Mountain house 2 was in a quaint town with one cafe and no traffic lights.
Mountain house 3 was atop a high ridge overlooking the Continental Divide.
When you live in the mountains, you need a rugged vehicle.
In September 2013, our small town of about 300 people was hit by a catastrophic flood and we were rescued via helicopter. Read my story.
I returned to
Los Angeles
to reunite with my passion for
animation.
2014
I returned to
Los Angeles
to reunite with my passion for
animation.
2014
I missed working in animation. Freelancing had its perks but I longed for the creative collaboration of big studio productions with some of the most talented artists one could ever meet.
In the 1990s, working at Nickelodeon was my only professional experience. I didn't take it for granted but it was normal to me.
Having returned to the industry after a dozen years, I feel incredibly fortunate to be part of it. My work gets to touch millions of viewers, and if done well, can create life-long memories about great characters and stories.